Carl Jung
Carl Jung
Eckhart Tolle
Eckhart Tolle
Michael Singer
Michael Singer
Brené Brown
Brené Brown

What Is Shadow Work? Jung, Tolle, Brown and Singer Agree on This

There is a part of you that you have never looked at directly, and it is running your temper, your relationships and your sense of who you're allowed to be. Four teachers describe it in four vocabularies, and they all land on the same practice.

There is a part of you that you have never once looked at directly. Right now it is running your relationships, your temper, and your sense of who you're allowed to be.

In spiritual circles this is called your shadow. That can sound like a horror-movie evil twin, but the idea comes from psychiatry. The psychiatrist Carl Jung named it, and once you understand what he meant, you start to see it all over your own life.

The reaction that's too big for the moment

Think of the last time someone's arrogance made your blood boil. Or someone's neediness made you want to scream. Or you snapped at your partner over something so small that you were embarrassed about it an hour later.

In every one of those moments the reaction was bigger than the situation called for. That mismatch is the signal to pay attention to.

Most of us deal with it in one of two ways. We push the feeling down and pretend it isn't there, or we aim it at whoever set it off. Neither works, and by the end of this essay the reason should be clear, along with what to do instead.

The plan: define the shadow properly, in Jung's own words. Then look at three other well-known teachers who describe the same mechanism without ever using his term. Then finish with a practice you can use the next time someone gets under your skin, so the reaction gives you information instead of a mess to clean up.

What Jung meant by the shadow

Jung described the shadow as the disowned, repressed side of your personality: the traits, urges and feelings you decided at some point were unacceptable. He didn't treat it as a loose metaphor. He rooted it in your instinctual nature, the animal part of you that your conscious plans never fully consulted.

Jung didn't say the shadow is evil. He said it holds power. In his words, "they are potentialities of the greatest dynamism," and whether they lead to construction or catastrophe depends on the preparedness and attitude of the conscious mind.

He was also clear that everyone has one. "None of us stands outside humanity's black collective shadow." Having a shadow is part of being human, not a defect.

What worried Jung about modern life was how proud we are of being rational. That pride makes it easy to disown anything that doesn't fit the image. He warned that Western man was in danger of losing his shadow altogether and identifying only with the polished, fictional version of himself that he shows the world.

His answer was to recognize the shadow, not to get rid of it. Recognizing it, he said, gives you the modesty to admit you're imperfect and still stay in relationship with other people.

Projection: why certain people get under your skin

If the shadow just sits inside you, why does it wreck your Tuesday afternoon? Because a shadow you don't recognize doesn't stay inside. It gets thrown outward onto other people. Jung called this projection.

"Everything that is unconscious in ourselves we discover in our neighbour," he wrote, "and we treat him accordingly." So think about the coworker whose arrogance makes your skin crawl, and ask what they have that you've decided you aren't allowed to have.

Say the answer is confidence. Somewhere along the way you learned that taking up space was arrogant, or risky, or unsafe, so you buried it. Now someone walks around doing the exact thing you outlawed in yourself. Your nervous system doesn't read that as neutral. It reads it as a threat.

Jung said the projection loads your own secret fear onto the other person, which makes them look more dangerous than they are. The cost isn't only your mood. He wrote that the love you could have for that person suffers most, because projection blocks understanding. You can't know someone you're using as a screen.

So the coworker isn't really the problem. Your unlived confidence is. Once you can see that, the anger loses most of its grip.

This doesn't only apply to traits you secretly admire. It also covers the ones you've decided are shameful: neediness, jealousy, wanting to be looked after. The wave of contempt you feel for someone who seems needy is often a need of your own that you decided long ago made you weak, or too much.

Jung wanted people to sit with this. Having the capacity doesn't make you a bad person. Pretending you don't have it is what does the damage. Believing yourself harmless, he wrote, because you only count what your conscious mind knows about itself, adds stupidity to whatever harm you were already capable of.

Tolle's pain-body

Eckhart Tolle never mentions Jung's shadow, yet he describes the same thing and calls it the pain-body.

His claim is that pain you don't fully feel when it happens doesn't disappear. "Any negative emotion that is not fully faced and seen for what it is in the moment it arises does not completely dissolve. It leaves behind a remnant of pain." Over a lifetime those remnants join together into what he calls an energy field living in the cells of your body. For some people, he says, it is active almost all the time.

This next line describes the same mismatch this essay opened with. "The pain-body's unhappiness," Tolle writes, "is always clearly out of proportion to the apparent cause." In that state, he says, "you look at the present through the eyes of the emotional past within you." The oversized reaction is the past borrowing your eyes.

Normally a thought creates an emotion. The pain-body reverses the order: the emotion arrives first and takes over your thinking to justify itself. That's why the angry story in your head feels completely rational in the moment. It's the pain-body doing the narrating.

Tolle also says the pain-body wants drama, because negative emotion is the only fuel it can use. It will even provoke the people closest to you so it can feed on the fight that follows. If you've ever started an argument and realized afterwards that part of you wanted it, you've met it.

A work example makes the proportion easy to see. A coworker takes credit for your idea in a meeting. Instead of a calm, direct word afterwards, you go cold and silent for the rest of the week. The meeting lasted ten minutes and the silence lasted five days. Whatever got triggered is doing far more work than the event itself could.

Singer's samskaras

Michael Singer, author of The Untethered Soul, has his own word for it: samskaras, stored and unfinished emotional patterns from your past.

A present event, he writes, digs through everything you've stored, and when it hits one of these blockages it colors your whole experience of today. He describes the pull in almost physical terms. A triggered samskara acts like a magnet and tries to drag your awareness inside it, until you can no longer tell yourself apart from the reaction. Letting go, in his words, means falling behind the energy instead of going into it.

That makes three teachers so far, with three vocabularies and one mechanism: old pain, stored, waiting for a present-day trigger.

Brené Brown and the armor of shame

Brené Brown adds the fourth. Her research is on shame, the felt experience of believing that some part of you makes you unworthy of love.

"We put on armor," she writes; "we used our thoughts, emotions, and behaviors as weapons; and we learned how to make ourselves scarce, even to disappear."

One of the most common shields she found is perfectionism. She doesn't mean healthy striving. She means what she calls a twenty-ton shield: the belief that if we do everything perfectly we can avoid the pain of blame and judgment. It's armor that passes for a virtue.

Picture someone who never asks for help at work and insists on redoing everything themselves. Everyone calls them a perfectionist. Brown would ask what the armor is protecting. Underneath there is usually shame, the fear that if anyone saw the unfinished, imperfect version of them, they wouldn't be enough.

Shame needs secrecy to survive. Speak it out loud, Brown says, and it starts to wither. She sums up the antidote in three lines: I am enough. I've had enough. And showing up, taking the risk and letting myself be seen is enough.

Why pushing it down makes it worse

You can't suppress the shadow into silence, and you can't blame it away either. Jung warned that suppression makes it worse: "An animal is never so wild and dangerous as when it is wounded."

Push the shadow down hard enough and it doesn't leave. It festers, then leaks out sideways as sarcasm, passive aggression, or the exact overreaction this essay started with. Suppression doesn't remove the charge. It only hides where the charge comes from.

Jung's answer wasn't heroic self-control. It was closer to the opposite. If the shadow holds valuable, vital forces, he wrote, they ought to be assimilated into actual experience rather than repressed. That means bringing them inside and putting them to use, neither exiling them nor indulging them.

He even called this a kind of sacrifice, "just as heroic as the conquest of passion, but in an opposite sense." What you give up isn't pleasure. It's the comfortable story that you are only the good half.

The Witness, and a four-step practice

If hiding the shadow fails and blaming someone else fails, what's left? This is where all four teachers land in the same place.

Singer calls it the Witness, and it starts with one question, asked the moment you feel triggered. Not "what should I do about this?" but "what part of me is being disturbed by this?"

"The very fact that you can see the disturbance," Singer writes, "means that you are not it." The whole practice follows from that sentence. It doesn't ask you to fight the feeling or fix the person who triggered it. It asks you to stay conscious enough to watch it happen.

The practice has four steps:

  1. Notice when a reaction is too big for the moment. That's your signal.
  2. Ask Singer's question: what part of me is being disturbed by this? Leave aside what's wrong with them and look at what's alive in you.
  3. Witness it. Feel it in your body without turning it into a story, and without acting on it.
  4. Name it, even if only to yourself. Brown's research says the moment you speak it, it starts to lose its grip.

Singer insists on one more thing: don't wait for a crisis to try this. You won't manage it under real pressure if you've never practiced on anything small. Someone takes your parking spot. A friend doesn't text back. Use those small moments to step into the witness seat, so it already feels familiar when something real is at stake.

What it looks like in a real argument

Say your partner forgets something small and you snap, far harder than the moment deserves.

In the second before you speak, you can feel it in your body: chest tight, jaw clenched, voice already sharpening. That's the pain-body waking up. You didn't decide to be upset.

The old pattern goes one of two ways. You swallow it and resent them for the rest of the night, or you unload and it becomes a fight about nothing.

The new pattern is to catch the size of the reaction, ask what part of you feels unimportant right now, and sit with that feeling for thirty seconds before you say a word. If you can, name it out loud: "This is bigger than the plates. I think I'm feeling unimportant right now." Watch how fast the fight deflates.

Do that enough times and you stop losing the same argument every month. You don't get better at winning it. You stop needing to have it.

It changes how you see yourself too. "I'm someone who overreacts" becomes "I'm someone who's learning what I've been carrying." That's a different relationship with your own mind.

What this fixes, and what it doesn't

The practice has limits. It won't make the coworker less arrogant, and it won't make your partner remember things better.

What it fixes is the gap between the trigger and your response, and most of your life happens in that gap.

Jung was careful here as well. The goal isn't to become enlightened or above it all. "Only if I remain an ordinary human being, conscious of my own incompleteness," he wrote, "can I become receptive to the significant contents and processes of the unconscious." Staying humble keeps the door open.

Whole, not perfect

Jung had a word for where this leads: individuation, the lifelong process of the conscious and unconscious minds learning to live at peace with each other. He was clear it doesn't run in a straight line to a finish. He called it a circumambulation of the self, a circling rather than a checklist.

John Freeman, who edited Man and His Symbols, called this the essence of Jung's philosophy of life: "Man becomes whole, integrated, calm, fertile, and happy when (and only when) the process of individuation is complete, when the conscious and the unconscious have learned to live at peace and to complement one another."

That describes honesty, not perfection. An integrated person still has the capacity for anger, jealousy and fear. They've stopped being surprised by it, and they've stopped needing someone else to carry the blame for it. As long as you deal with your projections inside yourself instead of outside, Jung wrote, it is ultimately the Self that regulates your relationships. That sentence sums up this whole essay.

Your shadow was never the enemy. It was the part of you standing guard over everything you decided, a long time ago, that you weren't allowed to be. Go open the door. Whatever is standing there has been waiting for you, not against you. And remember where Jung started: it holds more power than almost anything else in you, and it has been waiting to be pointed in a direction you would choose.

One question to take with you: what is one reaction in your life that has always felt bigger than it should? You don't need the full answer yet. The question is where the practice starts.

Shadow WorkCarl JungProjectionEckhart TollePain-BodyMichael SingerSamskarasBrené BrownShameIndividuation